Posts Tagged ‘Mind Control’

“Black Swan” is an intense psychological thriller describing a ballet dancer’s metamorphosis into the “Black Swan”. Behind the movie’s freaky facade lies a profound commentary on the cost of fame, the sacrifice of artists and the hidden forces behind the shady world of high-stakes entertainment. We will look at the occult symbolism of the movie and its themes relating to the dark side of show business.


Directed by Darren Aronofsky, Black Swan follows shy ballet dancer Nina along her path to success in the demanding world of professional ballet. Black Swan can be considered a companion piece to the director’s previous movie, The Wrestler, which also describes the ups and downs of a troubled person working in a lesser-known field in the performing arts: professional wrestling. Although both movies explore similar themes (i.e. sacrificing one’s self for the good of the performance), the world in which Nina evolves and the obstacles she must endure are diametrically opposed to those of The Wrestler. Randy “The Ram” Robinson is a blue-collar guy living in a blue-collar town and must cope with the physical pain caused by his blue-collar lifestyle.  Nina, on the other hand, performs in the refined world of ballet and her struggles are psychological, emotional and even spiritual.

I often point out that great works of art can be interpreted in numerous ways, depending on the knowledge and experiences of each viewer. This movie is no exception … there are indeed numerous ways to interpret the plot of the movie. Through the use of meanings and symbols, however, the movie clearly alludes to many issues previously discussed on The Vigilant Citizen: the dark and occult side of fame, duality, trauma-based mind control, the forced creation of an alter persona and more. The main character, Nina, goes through a metaphysical change – by getting in touch with her “dark side” –  in order to become a better performer. This change is imposed on Nina by her “handler”, in this case, her ballet director. The movie uses subtle references to trauma-based mind control to explain the creation of an independent alter-person in Nina’s psyche.

Although Black Swan is fiction, it nevertheless explores hidden realities of high-stakes art and performance. There are numerous examples of artists who have embraced darker alter egos to take their art to “another level” … and many who ultimately are consumed by them. We will look at the occult and mind-control elements of Black Swan and see how they relate to some of the realities of the world of professional entertainment.

Warning: Major spoilers ahead!

A promotional poster for Black Swan. Nina (played by Natalie Portman) is shown with a crack through her face, representing the fracturing of her personality, an important concept and symbol of mind control.

Nina’s bedroom. Notice the butterflies on the wall, a reference to Monarch programming. Next to the window is a big white rabbit, a symbol of mind control originating from Alice in Wonderland – a fairy tale used in the programming of MK slaves. By following the White Rabbit Alice is lead to an alternate world, Wonderland, which, in mind control terms, refers to a slave’s dissociative state.

After her meeting with Thomas, Nina, dressed in white, crosses the path of another Nina, dressed in black. This symbolically represents the coming of Nina’s new, dark alter-ego.

Nina hallucinates all kinds of strange mutations on her body. They represent the gradual coming out of the Black Swan in her.

Nina at the end of her “perfect” performance as the Black Swan. She is briefly shown with black wings, symbolizing that she has become “one” with the Black Swan.

Right before her big performance as the Black Swan, Nina fights against herself in her dressing room. During the fight between Nina and the Black Swan, a mirror breaks, representing the collapse of the psychological boundary separating both entities. By shattering the mirror, Nina becomes the Black Swan.

Nina dying at the end of her performance. Her last words to Thomas: “I was perfect”.

Lady Gaga “sacrificed” in her performance at the 2009 VMA’s.

Real life Black Swans:

Beyonce and Sasha Fierce, a pop-music equivalent of the White and Black Swan.

Examples of actors dying in mysterious circumstances after playing the role of a devilish and twisted characters.

People close to Ledger claim his role as the Joker caused his demise.

Brandon Lee mysteriously died DURING the filming of The Crow. The official story of his death is still widely disputed. The scene during which he died was highly symbolic.

Conclusion:

Black Swan is a profound movie that can be interpreted on many levels. We looked at the occult and mind-control elements of the movie and examined its messages on the shady world of show business. The movie’s commentary on the entertainment world’s marriage with occult forces is something that has been discussed numerous times on the Vigilant Citizen. Although the concept is rarely discussed or even noticed by the average person, insiders in the entertainment world often attest to strange forces of varying kinds at work in the industry.

Through Nina’s metamorphosis from a shy nobody to a possessed superstar, the viewers experience the dark side of entertainment. Mind control, manipulation and immorality collide with success and recognition. Dark impulses, addictions and self-destruction arise with artistic genius and creative brilliance. Those who are “running the show” know how to bring the Black Swan out of up-and-coming artists … and they know very well it will destroy them in the long run. And they are OK with that. The same way Beth was pushed aside to welcome a new Swan Queen, the public will always welcome the elite’s newest star with applause and acclaim. Because, as they say, the show must go on.

 

P.S: Some images & parts of the movie are not discussed in this post due to their obscenity.

Source

Following is the extract of an article produced at:

http://thetruthseeker.co.uk/

Recently, in a mainstream newspaper, an educational consultant confessed to an agenda of attacking the psyche of male youths. Referring to school textbooks for Grades 7-10, (ages 12-15) he said:

“If you had a picture of a person doing something positive, winning a race, performing an experiment successfully, etc., [you had to] make sure it was of a girl,” he said.

“If you had to have a picture of someone doing a bad thing – bullying, making a mistake, being unsure which course of action to take, etc. – the image was invariably of a boy.”

“The side effect was to show the boys that they are rarely winners and we expect less of them,” he said. “The unstated assumption was that boys did not need the same degree of encouragement.”

This confession is framed in terms of encouraging women to enter the sciences, but let’s not be deceived. They didn’t need to disparage boys to do that. Their purpose was to shatter the confidence of young males and encourage female contempt and distrust for boys.

MASS MEDIA MIND CONTROL

The same applies to the mass media. The confession above is a feeble attempt at “balance” in a major campaign by the Globe and Mail, “Canada’s National Newspaper,” to foist more women into positions of power.

Newspapers used to maintain a pretense of objectivity. But for the last two weeks, the Globe has been browbeating its readers to demand that women get more power. They have even run stories suggesting quotas for members of parliament.

Illuminati, i.e. the central bankers feel they can control women easier than men. Especially when women feel beholden to “feminism.”

Do you really think the Illuminati bankers give a damn about women? They promote female power as a way of neutralizing male power. Women used to empower men. Now they emasculate them. The Illuminati use their house organs like the “Globe and Mail” to destabilize society.

Also, a woman’s career used to be her family. The Illuminati bankers can’t allow that. They want everyone to work for one of their branches.

Clearly, the brainwashing (and hypocrisy) does not end in school.

Source